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Alexander Sorondo's avatar

Good grief. The weird magic of Naomi's "tales": they read like allegories, where the point is the big-picture message and the language doesnt matter that much, but then there'll be a pivot in the narrative that makes the phrasing significant.

Then events begin to mirror each other. Attitudes and motives flip like coins. Characters appear out of nowhere, faceless, change the protagonist’s life and then vanish. Several paragraphs are devoted to some broad-language description of a small bureaucratic conflict -- and then two decades are traversed in a sentence.

She has the most comfort-creating *style*, with the fable-like prose, but constantly maneuvers the story in some displacing/disquieting way.

What a risk, to've devoted so much time to this idiosyncratic style, but she's really honed it into an art.

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David Roberts's avatar

I liked your story!

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